The former Extreme Weight Loss participant passed away in the Georgian village of Stone Mountain on November 9, as was previously reported.

When this news first broke, no cause of death was given; as of right now, we don’t know one.

Here, Brandi Mallory grinned at her own camera for a picture she uploaded to the internet. Use Instagram

But according to security footage from the Atlanta Police Department, Mallory was last seen on November 8 at 5:53 p.m. when she drove to a nearby Chipotle.

She went into the well-established brought her meal back to her car. but did not go.

According to the official documents, the proprietor of a nearby deli reported to authorities that the following morning, he saw a lone vehicle in the parking lot, and that a woman looked to be sleeping inside.

A few hours later, the man apparently realized the car was still there and the woman inside “did not look alert, conscious or breathing,” which alarmed him so much that he called 911.

Naturally, Mallory was eventually shown to be this woman.

40-year-old Brandi Mallory passed away at an extremely young age. On Facebook

Mallory’s cause of death remains under investigation, according to police, who also stated that there were no indications of foul play.

In 2014, Mallory participated in Season 4 of ABC’s Extreme Weight Loss.

In the years since this performance, she has continued to grow her social media following by sharing her love of dancing and beauty advice.

On November 12, the late star’s family and friends held a candlelight vigil in her honor. On Sunday, November 19, 2023, in Lithonia, Georgia, there will be a memorial service.

To everyone who knew and loved Brandi Mallory, our condolences are extended. Use Instagram

Kim Williams Maxile, a competitor on Extreme Weight Loss season 5, honored Mallory a few days earlier with an emotional Instagram post.

It would surprise most that SteveB, a guitarist and songwriter from Yorkshire, UK, hasn’t made music and his band Never2Late his full-time career from the beginning. That’s because his unique blend of classic rock and blues is so effortless and natural. Actually, he is an orthopedic surgeon who is semi-retired.

It does make some sense when you think about it: playing the blues guitar would probably be a great way for a surgeon to cross-train since both demand extreme manual precision. That being said, it’s evident that SteveB naturally draws inspiration and inventiveness from blues rock.

“Love Is Wise,” the most recent single from Never2Late, is a cover of the track from their debut album, 2015’s It’s Hell In Happy Town.

CelebMix spoke with Never2Late to learn about his musical beginnings and the source of inspiration for his song “Love Is Wise.”

Let’s take a quick look at gear. Which sort of pedals, amplifiers, and guitar are you using?

I’m using a Kemper stage profiler to multitrack my Knaggs Kenai T/S Eric Steckel trademark guitar for the single. For my vocals, I prefer to utilize a TC Helicon Voicelive Play.

In the studio, do you employ any unique recording techniques?

Not exactly; I always perform to a click track since it makes the whole thing easier to put together. It’s very rare to find someone who can play precisely on time over a click track, according to my recording engineer! (Or maybe he’s just trying to make me feel good!)

I used to be in a band, but like many others, my dreams of being a rock star were severely thwarted by job, marriage, kids, more work, divorce, work, remarriage, more kids, and more work. Following my semi-retirement, I visited Glastonbury and was motivated to climb up into the attic, get my guitar, and form a band. We were originally a covers band, but after we performed at an event where we had to play four original songs, I decided to give it a go and ended up falling in love with writing songs.

Far too numerous to list and rather varied! I had the good fortune to grow up in an era that produced many amazing songwriters, including Paul Simon, Van Morrison, Bob Dylan, Joni Mitchell, Roy Harper, and Al Stewart. Anyone who writes songs that are not formulaic and convey something about life and the human condition, such as The Beatles, XTC, Tom Waits, Cage the Elephant, Kevin Ayers, and The National, is an inspiration. Guitarists: Frank Zappa, Eric Steckel, John McLaughlin, Jeff Beck, Joe Bonamassa, and JJ Cale. For Thin Lizzy, Led Zepplin, and sheer energy!

Versatile! Everything from somber acoustic tunes like “Requiem for a Friend” or “I Still Talk to You Everyday,” which were both written during a lockdown, to bluesy social commentary pieces like “Sometimes I’m Ashamed to be a Man” or “Motel 22,” which highlight the situation of Silicon Valley’s homeless population, to more upbeat songs like the hit single “Love Is Wise,” “Tempted,” or “Filthy Lucre.” Even the strange love ballad “You’re My Rock” is devoted to my patient spouse!

I make an effort to steer clear of the clichés of the boy meets girl, falls in love, girl dumps him, and boy is broken-hearted variety. George Harrison once stated, “I could write hundreds of songs like ‘Hey baby what you gonna do,’ but I don’t want to.” I agree with him on that point. I would prefer for my words to have some sort of significance if I were to speak. Some worth, so that it’s not just some stupid tune that made some royalties in 20 years.

Every day, I play the guitar. I start with some basic chords and eventually stray into new areas. Occasionally, I combine two things at random and a song emerges. After that, it gets refined until I am rather satisfied with the outcome. I don’t mean to sound like an expert, but creating songs is similar to giving birth. Sometimes the work is simple, and other times it takes a long time and is challenging. Sometimes, the words and music just come out of nowhere—”Blinking in the Light” was written in 30 minutes from beginning to end. It’s like an emergency caesarian section.

I frequently hear the songs in my head, and if they seem to require something that I am not able to give, I have employed Fiverr (the saxophone on “Broken Promises,” the female voice on “Refugees”). At a singer-songwriter concert I was playing at, I also got to know Joana Carvalhas, a very gifted violinist who played the violin on the songs “Refugees” and “Requiem for a Friend.” As a total Luddite, I still find it thrilling to send a WAV file across the world and receive contributions back in a few days.

The National is fantastic. Proficient musicians with an amazing song catalog; I saw them live ten days ago. Right now, I’m really into Eric Steckel’s guitar playing.

For me, success has already been achieved because I have a beautiful wife, four amazing sons who have grown up to be generous and loving young men, and a very fulfilling work in a completely other industry! I compose music because I enjoy it. I’ll be a happy and satisfied man if someone enjoys the song, can relate to the lyrics, and remembers it the following day!

Grammy Award-winning producer AFROJACK and former World No. 1 DJ Hardwell have reunited in an exciting reunion to create an explosive record called “Push It,” which features the captivating vocals of singer/songwriter Meryll.

The pair, who have already released hits like “Hollywood” and “Hands Up,” is continuing to meld their individual sounds to produce a song that will undoubtedly enthrall listeners everywhere.

“Push It” begins with a catchy electronic beat that draws in listeners before Meryll delivers an eerie incantation. Everyone is drawn to the dance floor by the joyful rush produced by the throbbing background beat, which perfectly matches the mesmerizing vocals. The duet demonstrates the smooth synergy between these Dutch dance music superstars and was published on AFROJACK’s WALL Recordings and Hardwell’s Revealed Recordings.

AFROJACK highlights the great response received at Tomorrowland while expressing his delight about the release. Hardwell agrees, highlighting the importance of the eagerly anticipated partnership, which had its debut at Tomorrowland and was highlighted on his radio program, “Hardwell On Air.”

This partnership adds another level to AFROJACK’s already impressive year as he keeps making waves with his artist development label, WALL Recordings, and his partnership with The Tomorrowland Academy. Hardwell’s comeback, evidenced by his second studio album REBELS NEVER DIE and a triumphant global tour, establishes him as one of the leading lights in the electronic music industry.

“Push It” is more than just a song; it’s evidence of the enduring creative connection between Hardwell and AFROJACK. It’s sure to become a worldwide dancefloor hit in pubs, clubs, and festivals. Prepare to step outside the box and surrender to the music.